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? Groover is a platform designed to connect independent musicians directly with industry professionals ( like bloggers, playlist curators, radio stations, and label representatives) who can give honest, actionable feedback on new music. Unlike traditional submission methods that often leave artists in the dark, Groover offers a transparent system where every track receives attention, helping emerging artists grow their audience and refine their craft. In this roundup, we highlight some of the standout tracks and artists recently discovered on Groover, showcasing a mix of fresh sounds, creative voices, and promising talent that deserves to be heard ?
ZenToy – “Love Is Gone“
“Love Is Gone” unfolds as an expansive, cinematic electronic ballad where emotion takes precedence over rhythm. Waves of synth, atmospheric reverb, and slow-moving pulses carry lyrics of loss that seem to drift and dissolve into echoes of heartbreak. Rather than chasing a dance-floor climax, the track invites listeners into an immersive soundscape, one that feels as if it’s slipping away moment by moment, mirroring the story it tells. Every beat is stretched, every vocal line suspended, giving the song the space to breathe and allowing the weight of sorrow to settle gently but deliberately.
A Brussels-based composer, producer, and DJ, ZenToy continues his eclectic exploration of electro-pop, house, and ambient-electronic textures. As the founder of Rainbow Mode Records, he’s long used his platform to push personal, emotional, and stylistic boundaries. “Love Is Gone” arrives as Part 3 of a trilogy release: first introduced through Skypearls’ Electro House remix (June 25, 2025), followed by an uplifting Trance version (August 25, 2025), and culminating with this original track on September 25, 2025. In this final form, the song thrives on restraint and slow development; an elegy that evolves like grief itself, intimate yet vast, and unmistakably ZenToy.
FFO: Jon Hopkins, ODESZA, Tycho, Moderat, Lane 8, and RÜFÜS DU SOL
Alex Zind – “Unbreakable” (ft. DeejaVu)
This track bursts forward as a bright, driving dance-pop anthem built on conviction and emotional lift. The production is crisp and vibrant, fusing EDM sheen with an unmistakable pop sensibility. A steady four-on-the-floor beat propels the track, while lush synths and layered drops create a dynamic push-and-pull that keeps the energy in constant motion. DeejaVu’s vocals rise cleanly above the mix, delivering soaring choruses that give the song its emotional anchor. Though designed to make you move, the song carries a deeper call to resilience—an insistence on holding on when life pushes back.
German producer Alex Zind and Finnish vocalist DeejaVu infuse “Unbreakable” with the chemistry of two artists at the top of their craft. DeejaVu, one of Finland’s most successful young performers, with millions of streams and early acclaim from “The Voice Kids,” brings a soulful, modern edge that hits instantly. Zind, known for his worldwide iTunes chart-toppers, remixes for icons like Madonna and Tone Loc, and a reputation as an “architect of soundscapes that transcend time and space,” shapes the track with precision and warmth. Their collaboration results in a piece that is both instantly catchy and emotionally charged. Basically, “Unbreakable” is a dance-pop declaration of invincible love that lingers long after the final drop.
FFO: Calvin Harris, Sigala, Kygo, Alesso, Jonas Blue, and Topic
Nekrohard – “Schranz Bastards“
“Schranz Bastards” is a brutal, fast, and uncompromising hard-techno assault – less a song than a confrontation. Built on a relentless, punishing kick that never lets up, the track channels the raw spirit of old-school schranz while injecting it with a distinctly modern, sci-fi edge. Industrial textures grind like machinery in overdrive, acid synths slither and mutate, and squelching 303 lines twist the tension tighter with every bar. The result feels almost cybernetic, like a soundtrack ripped from a dystopian video game or a rave set in a machine-ruled future. Engineered with precision, the mix is tight, aggressive, and designed for towering sound systems where every frequency can rattle bone and brick alike.
The collaboration between Barcelona-based producer Nekrohard and rising underground force Aura pushes the genre’s boundaries with unapologetic intensity. Together, they craft a track that channels schranz’s raw heritage while re-arming it for a new generation of ravers and producers. “Schranz Bastards” is a weapon, purpose-built to tear apart dance floors during the most extreme moments of a set. More than a release, it stands as a statement: a visceral reminder that schranz, in all its chaotic power, is resurging as an unstoppable force within today’s hard-techno landscape.
FFO: Chris Liebing, DJ Rush, Kobosil, Paula Temple, Klangkuenstler, and I Hate Models
Zircon Skyeband – “I’m Into Something Good“
Zircon Skyeband’s rendition of “I’m Into Something Good” is a playful, groovy delight delivered with a wink and a whole lot of attitude. Their authenticity shines from the first measure, and the band’s knack for lyrical phrasing and lively musicality is on full display. The arrangement blends funk, rock, and retro-pop charm into something irresistibly vibrant: tight bass licks and a locked-in rhythm section keep the groove bouncing, while buoyant vocals glide across the track with conversational ease. Brass lines inject bursts of color and excitement, harmonies deepen the texture, and the entire performance carries a raw, jam-band energy, like stumbling into a live session where the chemistry is electric and every player is in the pocket. It’s loose, fun, and designed to get your body moving.
This track is a standout within the band’s 5-song EP Tell Yo’ Mama Not To Worry, a collection brimming with charming horn melodies, lively vocals, and stunning guitar work. Zircon Skyeband has carved a niche with their ethereal and charismatic renditions of timeless classics, and their take on the Carole King and Gerry Goffin–penned hit, made iconic by Herman’s Hermits, feels both nostalgic and refreshingly their own. The trumpet radiates sunshine, the backing vocals add soulful warmth, and the funky rhythms weave everything into an irresistible invitation to groove. Joyful, spirited, and electrifying, “I’m Into Something Good” captures the essence of 1964 while propelling it into a new, dynamic sonic adventure.
FFO: Lake Street Dive, Lawrence, Vulfpeck, Scary Pockets, and Fitz and the Tantrums
Junifer – “Thoughts For The Night“
Junifer’s “Thoughts For The Night” is a gentle, meditative journey that transforms the quiet of late hours into a reflection on home, belonging, and the rituals that hold us together. The track favors intimacy over spectacle, inviting listeners into a contemplative soundscape built from soft synth lines, delicate guitar riffs, and subtle rhythmic undercurrents. Layers of warm, airy instrumentation create an ethereal, almost weightless environment, while the patient arrangement allows the song to unfold slowly, encouraging a deep listening experience that mirrors the stillness and introspection of night. It’s hypnotic, serene, and thoughtfully constructed, with every sonic choice serving the reflective mood.
Blending elements of folktronica and alternative pop, Junifer channels influences like Imogen Heap and Sufjan Stevens, merging organic textures with electronic atmospheres. Their storytelling is visceral and heartfelt, with vocals that feel both intimate and expansive. Since their debut album A Little Late in March 2025, Junifer has steadily released singles that continue to explore this intersection of electronic and folk, cultivating a growing audience with over 18,000 monthly Spotify listeners. “Thoughts For The Night” exemplifies Junifer’s gift for creating music that lingers like a half-remembered dream, something fragile yet expansive, quiet yet cinematic.
FFO: Imogen Heap, Sufjan Stevens, Novo Amor, Ben Howard, AURORA, and Daughter
Header Photo by Marcela Laskoski on Unsplash
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