The Leadmill, Sheffield, England | 13 May, 2025

Bradley Simpson brought his “Panic Years Tour” to the iconic Leadmill in Sheffield on Tuesday, May 13, treating a 900-capacity crowd to a powerful and deeply personal night of music. With the charm of an intimate venue and the electric energy of devoted fans, Simpson introduced his debut solo album, The Panic Years, with a performance that was equal parts heartfelt and euphoric.

Opening with the punchy and purposeful “Getting Clear,” Bradley immediately showcased the individual sound that defines his solo venture outside of The Vamps. The moment was not just a musical introduction, but a declaration of identity—his own voice, style and vision fully stepping into the spotlight.

After a warm reception, Bradley took a pause to introduce his band to roaring cheers, setting a tone of camaraderie that would carry through the entire evening. Fan interaction was a standout element throughout the night, most memorably after “Not Us Anymore,” when a fan called out “great song that, Brad!”—a simple but touching reminder of the connection he shares with his audience.

Simpson kept the surprises coming by inviting support act Nieve Ella back onstage to join him for the duet “Favourite Band,” their harmonies blending seamlessly in one of the show’s most tender moments. Ever grateful, Bradley asked how many in the crowd had bought the album, offering heartfelt thanks before reminiscing on past Sheffield shows, calling it good to be back.

As the set slowed down, phones lit up the venue during “Holy Grail,” creating a sea of soft lights that mirrored the song’s reflective tone. In one particularly moving moment, Simpson told the crowd that the space they were sharing was safe and asked everyone to hug those around them—a gesture that added emotional weight to the evening and highlighted his sincere connection with his fans.

One of the show’s most memorable highlights came when Bradley stepped off the stage and into the crowd, guitar in hand, for a raw, acoustic rendition of “Bands Not Breaking Up.” With no mic and a hushed audience hanging on every word, it was an unforgettable, intimate performance that exemplified the stripped-back honesty at the heart of The Panic Years.

He paused to speak to those in their 20s, acknowledging the turbulent nature of the decade and reaffirming the message of his album: “it’s going to be fine.” This sentiment resonated deeply, capturing the spirit of the record and the night itself.

Bradley closed the show with fan-favourite “Carpet Burn,” leaving the crowd on a high. The room exploded with voices screaming the lyrics, a perfect finale to a night that celebrated growth, emotion, and a newfound artistic identity.

Bradley Simpson’s solo show at the Leadmill was more than a concert—it was a vulnerable, affirming, and joy-filled experience. A testament to his artistic growth as a solo artist, The Panic Years live is raw, real, and unforgettable. Definitely not a show to be missed.